The inhibitions of their elders; a glimpse into the future of Cetaganda. "Yes why not?".

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In the Los Angeles sections is that I was assuming that I was writing about a Los Angeles where the caucasians are the minority which is something that is demographically expected to happen in L. A. eventually. MR: Yeah. I was stunned the first time I was in new York and found all the subway signs in Spanish after a lifetime of growing up with the Starsky and Hutch white English American thing. WG: Yeah. We have a neighbourhood in Vancouver where they've changed. . . they've translated all the streetsigns into Bengali. And there's Chinatown. That's quite the trend. MR: And yet you find that you can write about women? All of your books since Count Zero have had a female protagonist. WG: I've always felt an obligation to try. And you know in fact I think I would tend to get pretty bored with the narrative if there weren't. . . a few women around. MR: And yet the only woman that featured apart from your relatives in Agrippa was the likening of the.
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